Transforming Shakespeare's tragedies into operas : mutations, Intertextuality and Performance
Identifieur interne : 000040 ( Main/Exploration ); précédent : 000039; suivant : 000041Transforming Shakespeare's tragedies into operas : mutations, Intertextuality and Performance
Auteurs : David Pouliquen [France]Source :
Descripteurs français
English descriptors
Abstract
Vocal rendition, the nexus of the complex articulation of text and music, gives the coordinates of operatic dramaturgy. It is, in fact, through singing that this hybrid conjunction between these two media appears as one and the same autonomous unitary action. Thus, opera transcends the hiatus of the juxtaposition of two protean contents, with limited synergies and numerous antagonisms, in a homogeneous semiotic content that can be appreciated in its representation. It effects the passage from a bipolarized matter to an immaterial conciliatory energy that is made to be performed. This transcendent combination makes the source work of art suffer, as a result of vocal technique, the musical language and the contingencies of the operatic performance, in the same way that the music submits to the requirements of tragedy. This research work aims at bringing up questions about the sense and the issues at stake in the operatic tragedy as well in the Shakespearean tragedy, about what stands out from the entirety of text altered by the musical requirements and the music given over to it. It also undertakes to shed light on certain functions of the language and the music forms which, even if they are not fixed or universal, become effective in the singular case of the works that are examined; and also on some latent data of Shakespeare’s tragedies which would open new floodgates to the outpouring of human passions. This poses the question of what the connection between the heterogeneous contents of the operatic tragedy, releases, modifies and stifles in the source drama.
Url:
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Hal, to step Corpus: 000180
- to stream Hal, to step Curation: 000180
- to stream Hal, to step Checkpoint: 000039
- to stream Main, to step Merge: 000040
- to stream Main, to step Curation: 000040
Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en">Transforming Shakespeare's tragedies into operas : mutations, Intertextuality and Performance</title><title xml:lang="fr">De la tragédie parlée shakespearienne à la tragédie lyrique : mutations, intertextualité et interprétation</title><title xml:lang="it">Dal dramma shakespeariano alla tragedia in musica : mutazioni, intertestualità e interpretazione</title><author><name sortKey="Pouliquen, David" sort="Pouliquen, David" uniqKey="Pouliquen D" first="David" last="Pouliquen">David Pouliquen</name><affiliation wicri:level="1"><hal:affiliation type="laboratory" xml:id="struct-2261" status="VALID"><idno type="IdRef">144138867</idno><idno type="RNSR">200014506X</idno><orgName>Arts : Pratiques et Poétiques</orgName><orgName type="acronym">APP</orgName><desc><address><addrLine>Université Rennes 2. UFR Arts, Lettres et Communication. Place du Recteur Henri Le Moal. 35043 RENNES CEDEX</addrLine><country key="FR"></country></address></desc><listRelation><relation name="EA 3208" active="#struct-406201" type="direct"></relation></listRelation><tutelles><tutelle name="EA 3208" active="#struct-406201" type="direct"><org type="institution" xml:id="struct-406201" status="VALID"> <orgName>Université de Rennes 2</orgName> <orgName type="acronym">UR2</orgName> <desc> <address> <addrLine>Place du recteur Henri Le Moal - CS 24307 - 35043 Rennes cedex</addrLine> <country key="FR"></country> </address> <ref type="url">http://www.univ-rennes2.fr/</ref> </desc> </org></tutelle></tutelles></hal:affiliation><country>France</country></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">HAL</idno><idno type="RBID">Hal:tel-01326318</idno><idno type="halId">tel-01326318</idno><idno type="halUri">https://tel.archives-ouvertes.fr/tel-01326318</idno><idno type="url">https://tel.archives-ouvertes.fr/tel-01326318</idno><date when="2016-05-23">2016-05-23</date><idno type="wicri:Area/Hal/Corpus">000180</idno><idno type="wicri:Area/Hal/Curation">000180</idno><idno type="wicri:Area/Hal/Checkpoint">000039</idno><idno type="wicri:explorRef" wicri:stream="Hal" wicri:step="Checkpoint">000039</idno><idno type="wicri:Area/Main/Merge">000040</idno><idno type="wicri:Area/Main/Curation">000040</idno><idno type="wicri:Area/Main/Exploration">000040</idno></publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="en">Transforming Shakespeare's tragedies into operas : mutations, Intertextuality and Performance</title><title xml:lang="fr">De la tragédie parlée shakespearienne à la tragédie lyrique : mutations, intertextualité et interprétation</title><title xml:lang="it">Dal dramma shakespeariano alla tragedia in musica : mutazioni, intertestualità e interpretazione</title><author><name sortKey="Pouliquen, David" sort="Pouliquen, David" uniqKey="Pouliquen D" first="David" last="Pouliquen">David Pouliquen</name><affiliation wicri:level="1"><hal:affiliation type="laboratory" xml:id="struct-2261" status="VALID"><idno type="IdRef">144138867</idno><idno type="RNSR">200014506X</idno><orgName>Arts : Pratiques et Poétiques</orgName><orgName type="acronym">APP</orgName><desc><address><addrLine>Université Rennes 2. UFR Arts, Lettres et Communication. Place du Recteur Henri Le Moal. 35043 RENNES CEDEX</addrLine><country key="FR"></country></address></desc><listRelation><relation name="EA 3208" active="#struct-406201" type="direct"></relation></listRelation><tutelles><tutelle name="EA 3208" active="#struct-406201" type="direct"><org type="institution" xml:id="struct-406201" status="VALID"> <orgName>Université de Rennes 2</orgName> <orgName type="acronym">UR2</orgName> <desc> <address> <addrLine>Place du recteur Henri Le Moal - CS 24307 - 35043 Rennes cedex</addrLine> <country key="FR"></country> </address> <ref type="url">http://www.univ-rennes2.fr/</ref> </desc> </org></tutelle></tutelles></hal:affiliation><country>France</country></affiliation></author></analytic></biblStruct></sourceDesc></fileDesc><profileDesc><textClass><keywords scheme="mix" xml:lang="en"><term>Comparative dramaturgy</term><term>Vocal technique</term></keywords><keywords scheme="mix" xml:lang="fr"><term>Dramaturgie comparée</term><term>Richard Cowan</term><term>Technique vocale</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Vocal rendition, the nexus of the complex articulation of text and music, gives the coordinates of operatic dramaturgy. It is, in fact, through singing that this hybrid conjunction between these two media appears as one and the same autonomous unitary action. Thus, opera transcends the hiatus of the juxtaposition of two protean contents, with limited synergies and numerous antagonisms, in a homogeneous semiotic content that can be appreciated in its representation. It effects the passage from a bipolarized matter to an immaterial conciliatory energy that is made to be performed. This transcendent combination makes the source work of art suffer, as a result of vocal technique, the musical language and the contingencies of the operatic performance, in the same way that the music submits to the requirements of tragedy. This research work aims at bringing up questions about the sense and the issues at stake in the operatic tragedy as well in the Shakespearean tragedy, about what stands out from the entirety of text altered by the musical requirements and the music given over to it. It also undertakes to shed light on certain functions of the language and the music forms which, even if they are not fixed or universal, become effective in the singular case of the works that are examined; and also on some latent data of Shakespeare’s tragedies which would open new floodgates to the outpouring of human passions. This poses the question of what the connection between the heterogeneous contents of the operatic tragedy, releases, modifies and stifles in the source drama.</div></front></TEI><affiliations><list><country><li>France</li></country></list><tree><country name="France"><noRegion><name sortKey="Pouliquen, David" sort="Pouliquen, David" uniqKey="Pouliquen D" first="David" last="Pouliquen">David Pouliquen</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Psychologie/explor/BernheimV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000040 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000040 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Psychologie
|area= BernheimV1
|flux= Main
|étape= Exploration
|type= RBID
|clé= Hal:tel-01326318
|texte= Transforming Shakespeare's tragedies into operas : mutations, Intertextuality and Performance
}}
| This area was generated with Dilib version V0.6.33. |  |